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After the performance, Accardo was interviewed by Alberto Cantù. The following are quoted from the interview -
Salvatore Accardo and his musical influences
David Oistrakh was my teacher, during the years we developed a great friendship. Oistrakh, Stern and Heifetz: I have learnt many things from them and now I teach my expertise to my students.
Heifetz told me that if I could play scales like I did, I could play anything I would. I learned from him that technique is a medium to play music.
Salvatore Accardo and Paganini
Paganini for a violinist represents something wonderful, because he has discovered all it has to be discovered from the technical point of view. Paganini's contemporaries couldn't believe it was possible to play like he did, for them it was something inconceivable. They would prefer to think he was possessed by the devil instead.
In my opinion it is important the way Paganini's music is performed, with the due respect on the original score. Most of the violinists instead would like to make changes and to play different from what it is written by Paganini. This doesn’t happen to Mozart's pieces, for example.
Salvatore Accardo and the Paganini competition
Winning the Paganini Competition become a burden too, because, for a period, I was asked to perform only Paganini's music.
Then I started to play other pieces by different composers, so I was able to prove I could perform not only Paganini's music.
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[此贴子已经被作者于2009-2-1 23:00:30编辑过]
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发表于 2009-2-1 19:45:00
