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罗宾. 凯.Deverich博士给学生们练琴的提示

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发表于 2007-12-25 20:37:00 | 显示全部楼层 |阅读模式

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Practice Tips 1

Practice Makes Perfect—or Does It?

罗宾. 凯.Deverich博士给学生们练琴的提示--练熟能生巧? Why is it so hard to improve on your instrument, even though you know you've practiced? Unfortunately, the adage "practice makes perfect" isn’t always true. Instead, improper practice often leads to poor results, not perfect playing. Why? Many of us simply don't know how to practice productively. The following overview of the fundamentals of practicing will provide you with useful ways you can create your own productive practice sessions. Practice Time When is your "prime time"? If you feel freshest in the morning, early morning practice may be for you. If you feel your energy peak in the afternoon or at night, practice then. Do you tire easily when you practice? Divide your practice time into two segments instead of having one long practice session. Whatever time you do choose, be consistent and try to practice at the same time five or six days a week.

Location When you practice, find a quiet room where you won't be disturbed. Turn off the TV, put away your CD player, and turn on the answering machine.

Music Accessories Before timing every nanosecond of your practice time, gather together all of the practice materials you'll need. Music, a pencil to note difficult passages and fingerings, and a music stand are basic necessities. If you do practice sitting down (some teachers prefer that you stand while practicing), make sure you use a chair that isn't too soft, or it will be difficult to use proper playing position.

Physical Needs Before you even begin to practice, drink some water, have some fruit or a healthy snack to rev up your blood sugar level, and change into something comfortable. If you prepare yourself physically before you start to practice, you'll find you can concentrate easily, and you won't be quite so tempted to interrupt your practicing for kitchen or bathroom breaks. Playing a musical instrument is not a passive experience. You need physical strength and energy to practice with proper playing position. If you practice while you're tired, you may run the risk of slipping into poor playing habits

Length of Practice Session How long you practice every day is irrelevant. How much you accomplish when you practice is what counts. It's great to follow a scheduled practice time, but if your daily practice ritual consists of playing straight through pieces over and over while you daydream, you might be better off not practicing at all. It's easy to reinforce mistakes when you don't concentrate while playing or when you practice without purpose or focus. Strive for quality practice, not quantity mediocre results.

Productive Practice Sessions Structured practice sessions are the key to productive practicing. The following suggestions will help you progress, instead of regress, when you practice.

Warm-up. Each practice session should begin by limbering up and strengthening your fingers through scales, exercises, arpeggios, or trills.

Practice with Purpose. Have one or more focused goals each time you practice. At the beginning of practice sessions, ask yourself, "What do I want to accomplish today? Do I want to polish a piece? Slowly learn part of a new piece, play with heightened musicality, or fix some problem spots?" As you practice, your focus may change as you continue to analyze your playing with questions such as: "Am I playing in tune? Is the rhythm correct? What parts of the piece need work?"

Problem-solving. One of the most effective ways to make a piece sound better is to pinpoint the difficult passages in the piece and then work on one small section at a time. Don’t reinforce mistakes by repeating them. Identify what the problem is, then determine how you will fix it. Play the notes of a problem spot very slowly, one note at a time, until you are playing with the proper rhythm, fingering, and notes. Once it sounds correct, play that small section over and over, gradually picking up speed until that segment of music is up to tempo. It's always simpler to begin at a slow tempo and increase your speed rather than go back and correct new errors.

Problem spot tips. At times, it may be useful to record yourself (tape or video) to pinpoint problem spots. If you’re having difficulty with a fast passage, playing a small section first very slowly, then experimenting with rhythmic variations, often helps. For example, if the small section you’ve identified as a problem spot contains four measures of sixteenth notes, instead of playing them all at the same tempo, try: long-short-long-short-long-short-long etc. Then, reverse the sequence and play the passage: short-long-short-long-short-long-short etc. Another practice technique for fast passages is to to quickly repeat each note two, three or four times (e.g. d-d-d-d-a-a-a-a-c-c-c-c—almost as if you were playing a bowed tremolo on the same note).

Musicality. Are you expressing yourself through your music, or are you mechanically repeating notes from a printed page? Musicality, the ability to interpret a piece with feeling, is what distinguishes the performance of a fine musician from that of an automated, boring performer. Need ideas? First, try following printed directions such as dynamics, style of playing, and the tempo or speed at which the music should be played. You can gain additional interpretive insight by listening to recordings of the same piece played by different performers and by researching the history of the composer or the era in which the music was composed. Then, experiment! Try different phrasing or explore variations in tone production, style, and intensity. Memorizing a piece also may assist you in achieving freedom of expression. Once you know a piece so well that you are "free" from the music, you may find it easier to interpret music on your own.

Fun time. At the end of each practice session, it's always fun to sit back, relax, and enjoy playing straight through the piece. The progress made during "problem spot" practicing can be reinforced, and you’ll feel a sense of accomplishment hearing changes you’ve made in the full context of the piece.

So let the music-making begin! You CAN make the adage "practice makes perfect" come true for you. All it takes is a little hard work and a lot of concentration. You'll soon find just how rewarding productive practicing can be.

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发表于 2007-12-26 00:27:00 | 显示全部楼层

看了第一段

都是英文啊

好累的

只讲了时间和地点

可以发点作者的资料吗

教师是一朵百合,远看是一朵花,近看是一枚果; 教师是一颗明星,远看是一盏等,近看是一团火.

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 楼主| 发表于 2007-12-26 18:34:00 | 显示全部楼层

罗宾. 凯.Deverich博士

The posture of playing instrument-----------1

2007-12/20071226183336328.jpg

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 楼主| 发表于 2007-12-26 18:35:00 | 显示全部楼层
The posture of playing instrument-----------2 2007-12/20071226183518803.jpg

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 楼主| 发表于 2007-12-26 18:37:00 | 显示全部楼层
The posture of playing instrument-----------3 2007-12/20071226183625913.jpg

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发表于 2007-12-26 18:43:00 | 显示全部楼层
期待中文版。。。

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 楼主| 发表于 2007-12-26 18:54:00 | 显示全部楼层
OK. I'd send the Chinese version as soon as possible

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发表于 2007-12-26 23:20:00 | 显示全部楼层
看不太懂,继续学习

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发表于 2007-12-28 01:09:00 | 显示全部楼层

罗宾. 凯.Deverich博士给学生们练琴的提示--练熟能生巧 ?

为什么是它很难改善在您的仪器,即使您认识您实践了? 不幸地,格言“实践使完善的” isn’t总是真实。 反而,不正当的实践经常导致恶劣的结果,不完善使用。 为什么? 我们大家不会有生产力地实践。 根本性以下概要实践 将提供您以您能创造您自己有生产力的练习的有用的方式。 Practice时间

何时是您的“黄金时间” ? 如果您感到最新鲜早晨,清早实践也许是为您。 如果您感觉您的能量峰顶下午或在晚上,然后实践。 当您实践时,您是否容易地疲倦? 划分您的实践时间成二段而不是有一次长的练习。 任何时刻您选择,是一致的并且设法同时实践五或每星期六天。

Location 您实践, 发现一间安静的屋子您不会被干扰的When。 关闭电视,投入您的光盘播放机,并且起动电话答录机。

Music辅助部件 计时每纳秒您的实践时间的Before, 一起会集您将需要的所有实践材料。 音乐、铅笔注意困难的段落和fingerings的和乐谱架是基本的必要。 如果您实践坐下(有些老师更喜欢您站立,当实践)时, 确定您使用不太软的一把椅子, 否则使用适当的使用的位置将是难的。

Physical需要您甚而开始实践, 喝一些水, 食用一些果子 或一顿健康快餐加快转速您的血糖水平的Before和改变到舒适的事。 如果您完全准备自己,在您开始实践之前,您发现您能容易地集中, 并且您不会相当将是,因此诱惑中断您实践厨房或卫生间断裂的。 弹奏一个乐器不是被动经验。 您需要体力和能量实践与适当的使用的位置。 如果您实践,当您疲乏时, 您可以冒滑倒入恶劣的使用的习性之险

练习Length 您多久每天实践是毫不相关的。 多少您完成您实践什么时候是什么计数。 是伟大的跟随预定的实践时光,但是, 如果您的每日实践仪式包括多次使用直接通过片断, 当您作白日梦时,您也许是更加境况较好根本不实践。 加强差错是容易的, 当您不集中时,当使用时或,当您实践, 不用目的或焦点时。 力争质量实践,不是数量平庸的结果。

Productive练习 Structured练习是钥匙对有生产力实践。 当您实践,以下建议将帮助您进步,而不是退步。

Warm-up. 每次练习应该通过limbering和加强您的手指开始通过标度、 锻炼、琶音或者颤音。

与目的实践。 每次有一个或更多被聚焦的目标您实践。 在练习初,要求自己, “什么我想要今天完成? 我是否想要擦亮片断? 慢慢地学会一部分的一个新的片断, 使用与被升高的音感或者修理一些问题斑点?” 当您实践,您的焦点也许改变,当您继续分析您使用与问题例如: “我使用在声调? 节奏是否是正确的? 片断需要的什么部分运作?”

解决问题。 其中一有效方式使片断声音更好是精确定位 在片断的困难的段落在一个小部分每次然后工作。 Don’t通过重复他们加强差错。 辩认什么问题是, 然后确定您怎么将固定它。 每次非常慢慢地播放问题斑点的笔记, 一笔记,直到您使用与适当的节奏、指法和笔记。 一旦它听起来正确,多次演奏那个小部分,逐渐加速, 直到音乐的那段是由拍子决定。 总是更加简单的开始在一个缓慢的拍子 和增加您的速度而不是回去并且改正新的错误。

问题斑点技巧。 通常,记录自己(磁带或录影)也许是有用的精确定位问题斑点。 如果有的you’re与一个快速的段落的困难, 首先播放一个小部分非常慢慢地,然后试验节奏性变异, 经常帮助。 例如,如果作为问题斑点you’ve被辨认的小部分 包含十六分音符四项措施,而不是演奏他们全部在同一个拍子, 尝试: 长短长短长短长的等。 然后,扭转序列并且播放段落: 短长短长短长短的等。 快速的段落的另一个实践技术是对快重复每笔记二,三 或者四次(即d-d-d-d-a-a-a-a-c-c-c-c—almost, 好象您播放在同一笔记的一个鞠躬的颤音)。

音感。 您通过您的音乐自我表达, 或者您机械上重复从打印的页的笔记? 音感,能力解释充满感觉的一个片断, 是什么与那一个自动化的,乏味的执行者区别一位好音乐家的表现。 需要想法? 首先,尝试跟随打印的方向例如动力学的, 样式使用和音乐应该演奏的拍子或者速度。 您能了解另外的解释性通过听不同的执行者演奏的同一个片断的录音 和通过研究音乐组成作曲家或时代的历史。 然后, 实验! 尝试另外表现或探索在口气生产、样式和强度上的变化。 记住片断也许也协助您达到的言论自由。 一旦您那么很好知道片断您从音乐是“自由”, 您可以发现它更加容易独自地解释音乐。

乐趣时间。 在每次练习的结尾, 它总是松劲,放松和喜欢的乐趣使用直接通过片断。 可以加强在“问题斑点期间”获得的进展实践, 并且成就感听力变动you’ve就片断的充分的状况做的you’ll感受。

因此让音乐制造开始! 您能做格言“实践使成为为您”实现的完善。 它采取的所有是一点坚苦工作和很多集中。 您很快将发现奖励有生产力实践怎么可以是。

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 楼主| 发表于 2007-12-28 11:20:00 | 显示全部楼层

中文版。。。

虽然琴你是练了,但是为什么很难提高您拉琴的技巧? .不幸地,格言--"熟能生巧"(Practice makes perfect)不是总是正确的,相反不正确的练习会导致坏的结果--拉不好.

为什么? 因为我们大多数人完全不懂如何有成果地去进行练习。

以下是练习的基本概要,供提您有益的练习方法,使您能够获得有作用的锻练.

1. Practice Time 练习的时间安排。

2.Location 练习地方的选择

3. Music Accessories 乐曲附件

4. Physical needs 能量需要

5. Length of Practice Session 练习的时间多长?

我要上课了.有空再见 Sophie

[此贴子已经被作者于2007-12-28 11:22:05编辑过]

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发表于 2007-12-28 16:10:00 | 显示全部楼层

这中文版,好像是用翻译软件翻译的

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 楼主| 发表于 2007-12-28 22:01:00 | 显示全部楼层

我的是用翻译软件翻译的?

Sophie_anny

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发表于 2007-12-30 10:27:00 | 显示全部楼层

估计此人是个美国普通大学音乐系混出来的博士生吧,朱利亚和费城不可能培养出这种。。“人物”

她自己持琴姿势就有相当大的问题。本身她手指就短,小指更短,左右手腕竟然往外张,那她小指落弦的空间太大了,全

部浪费掉了。

这样拉出来的效果可能好吗?不用翻译她的文章了,没价值。

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发表于 2008-1-2 12:26:00 | 显示全部楼层
没看懂
苦练,巧练

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发表于 2008-1-9 00:48:00 | 显示全部楼层
我确信这是有价值的指导.周末要仔细研读.先做记号.

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发表于 2008-1-9 17:33:00 | 显示全部楼层

看不怎么懂,但还是谢了。

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