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丰田公司赞助,日本人终于赢得老柴第一

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发表于 2007-7-4 14:32:00 | 显示全部楼层 |阅读模式

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丰田公司赞助,日本人终于赢得老柴第一。见特别报道,可欣赏视频: Postlude to the Tchaikovsky Published: Jul. 3, 2007 at 4:02 PM By: Eugene Chan (from Burnaby, Canada) So, Mayuko Kamio won the Tchaikovsky competition's violin section, and nobody I know seems terribly surprised. And it's not because she played miles ahead of her competition, although I happen to think she played exceptionally well. No, it's more of the usual: Kamio's teacher is the eminent Zakhar Bron, who happened to be on the jury. Toyota, a Japanese company, is the competition's main sponsor. Of course Kamio "won". If you looked at YouTube, you'd think Kamio was the most unpopular winner in the competition's history. “ Kamio has the potential to become the most successful Tchaikovsky winner—in any discipline—since Ilya Kaler … and yet we’re still talking about Zakhar Bron. ” Now, aside from the fact that I think Toyota has about as much influence on the jury as my choice of underpants, I find this extremely unfortunate. Kamio has the potential to become the most successful Tchaikovsky winner—in any discipline—since Ilya Kaler completed his sweep of the Paganini, Sibelius and Tchaikovsky competitions in 1986, a feat that has yet to be equalled. And yet we're still talking about Zakhar Bron. Not that anybody could be faulted for dwelling on Bron's membership in the jury. Even before the competition, a Russian classical music forum held a discussion about the impartiality of the violin jury. "As long as [Oleg] Krysa and Bron sit on the jury," declared one opinion, "there will be no objectivity." And most competition watchers would be forgiven for being suspicious from the beginning. Many previous Tchaikovsky competitions did not pass without some major controversy. Piano jury chairman Nikolai Petrov was even more blunt in an interview before the competition: "The competition has lost ninety percent of its renown because of the shameful, fraudulent, biased and unfair behaviour … of jury members at earlier competitions." It's ironic, really, considering that the Tchaikovsky competition was started at the height of the Cold War to demonstrate Soviet cultural superiority. The story is moderately well known in music circles: Soviet plans were derailed by a Texan by the name of Van Cliburn, and the judges were compelled to ask Premier Nikita Khrushchev for permission to award the first prize to an American. "Is he the best?" replied Khruschev, according to legend, "Then give him the prize!" (Cliburn returned home as a national hero, and the jury never made that mistake again.) Fast forward several decades, and the Soviets have fallen. Suspicion about politics around the Tchaikovsky competition, however, is just as prevalent as suspicion about steroids, blood doping, and human growth hormone at the Tour de France: nearly all the winners are presumed guilty until the lab results show otherwise, and even then that doesn't clear things up completely. As for "innocent", there is no such thing anymore: there is only "guilty" and "couldn't catch them". The thing that differentiates the Tchaikovsky competition from the Tour de France, however, is that cheating at a cycling competition, by its very nature, precludes one from being the best cyclist. But one can still be the best violinist even if one has a teacher on the jury. It's not as if Kamio was the only competitor receiving instruction from a jury member, either. Thirteen competitors, or over a third of the field, listed a teacher on the jury in the competition programme. Of those thirteen, seven were eliminated in the first cut. I don't claim that Kamio was the best. I don't claim she wasn't, either; as just about everybody knows, I have hardly the expertise to make such bold statements. All I know is that I enjoyed Kamio's performance to the point of loving it. Certainly, things could be better. The Tchaikovsky competition could be more like the one named for the Tchaikovsky's most famous winner: in 2005, when seven of Yoheved Kaplinsky's students were selected to be among the thirty-five participants in the Van Cliburn International Piano Competition, Kaplinsky asked to be relieved of her position as a competition juror, saying that it would be in the competition's best interests. But the world has seen plenty of conspiracy theories already. Apollo didn't land on the moon. The World Trade Center fell due to a controlled demolition. And, of course, the Jews have been planning to take over the world seemingly forever. Conspiracy theories are unbelievably useful. They let us believe pretty much anything we want to believe. I'm just not sure we need any more of them. http://www.violinist.com/blog/theProject/20077/7216/
~ 音乐是流动的建筑 ~ 欢迎来我的网站! http://www.tudou.com/home/lzva http://blog.sina.com.cn/u/1920092583
发表于 2007-7-4 14:39:00 | 显示全部楼层
丰田公司怎么不赞助我啊,真是的。

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发表于 2007-7-4 16:07:00 | 显示全部楼层
王之炅第几?
凡人玄思,俗世淡言。

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发表于 2007-7-4 16:21:00 | 显示全部楼层
祝贺
Lord is my shepherd. 合肥是座美丽的城市,我的QQ:418498752 我的博客:[url]http://www.violinblog.com/user1/143/index.shtml [/url]

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发表于 2007-7-4 18:53:00 | 显示全部楼层
他們不是老早就赢過了嗎?
最愛拉雙音~

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发表于 2007-7-4 20:02:00 | 显示全部楼层
有钱能使磨推X啊~~~~~
在霍格沃茨的天空下尽情的舞蹈~~

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发表于 2007-7-4 21:40:00 | 显示全部楼层

日本? 鄙视!

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 楼主| 发表于 2007-7-5 04:01:00 | 显示全部楼层

王之炅获得第6名,应该鼓励!

Mayuko Kamio 的演奏不错,但更多受到评委会照顾。比赛嘛,都会有人为的因素在内。

~ 音乐是流动的建筑 ~ 欢迎来我的网站! http://www.tudou.com/home/lzva http://blog.sina.com.cn/u/1920092583

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发表于 2007-7-5 08:51:00 | 显示全部楼层
王之炅恐怕是没有好的经纪人,不然到处参加比赛、获奖,可演出事业并不见起色,也许再过几年激情没了就要当老师了。我国的提琴家都这样。因为雨田老师长期在美国,又和吕思清等国内著名小提琴家熟识,看这个问题一定比较透彻,想请雨田老师给我们大家讲一讲。也想听听李传韵在美国的表现如何,是否跨入了世界一流提琴家的行列,演出有票房号召力吗?大提琴家王健呢?黄滨呢?她和文格罗夫一块获得第一名、囊括了3大比赛的第一名,但演出事业为什么和文格罗夫差那么多?顾文蕾呢?陈曦呢?我们信息闭塞,问多了,请见谅。谢谢!
凡人玄思,俗世淡言。

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发表于 2007-7-5 09:11:00 | 显示全部楼层
以下是引用xu490619368在2007-7-4 21:40:00的发言:

日本? 鄙视!

干嘛鄙视日本人?中国国内的屠杀还没道歉呢

Lord is my shepherd. 合肥是座美丽的城市,我的QQ:418498752 我的博客:[url]http://www.violinblog.com/user1/143/index.shtml [/url]

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发表于 2007-7-5 09:12:00 | 显示全部楼层
楼上的................无言了!呵呵!
在黑色的星期天时,我爱上了你!

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发表于 2007-7-5 11:32:00 | 显示全部楼层
以下是引用jacob19730224在2007-7-5 9:11:00的发言: >

干嘛鄙视日本人?中国国内的屠杀还没道歉呢

啥意思?就算你说得有些道理,有这个逻辑关系吗?

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 楼主| 发表于 2007-7-6 03:49:00 | 显示全部楼层

希望中国的大企业家能够多多支持与赞助我们华人音乐家!好的演出经济人非常重要,宣传和包装更重要!

大提琴家王健目前是华人青年提琴家中的幸运者!吕思清的职业演出也还不错;黄滨的演奏我也欣赏;但李传韵的演奏风格我实在无法接受。总之,他们还都很难真正走出华人圈,我想这与演出曲目的选择及华人的整体音乐素质有很大关系。

~ 音乐是流动的建筑 ~ 欢迎来我的网站! http://www.tudou.com/home/lzva http://blog.sina.com.cn/u/1920092583

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发表于 2007-7-6 18:52:00 | 显示全部楼层

我想最根本問題是咱中國人就是愛外來的

自己的卻喜歡貶低....

最愛拉雙音~

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发表于 2007-7-6 20:37:00 | 显示全部楼层

我不喜欢日本人:太假

也不喜欢日本:太挤

也不喜欢日本菜:太淡

也不喜欢日本民间艺术:太吓人

只喜欢:机器猫,小丸子,柯南

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发表于 2007-7-6 20:48:00 | 显示全部楼层

哎呀----在这只谈音乐,放下家仇国恨吧----拜托~~~~~

[shadow=225,red,2]总会有那么一天,看他的独奏音乐会,和喜欢他的乐迷一样给他献花。[/shadow] [url=http://www.nuoran.violinblog.com/user1/493/index.shtml]请来逛逛---+---e弦的小提琴博客---+---[/url]

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发表于 2007-7-6 21:35:00 | 显示全部楼层
等我有了钱我也支持中国的小提琴家。。。

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发表于 2007-7-6 21:48:00 | 显示全部楼层

以下是引用解语者在2007-7-4 16:07:00的发言:王之炅第几?

2007年7月1日的《新民晚报》讯(记者杨建国)历时18天的第13届柴科夫斯基国际音乐比赛,于今天凌晨在莫斯科国际音乐厅落幕。上海音乐学院硕士研究生王之炅获得小提琴组第六名,这也是我国选手在本届柴氏国际音乐赛中取得的最好成绩。本届比赛共举行钢琴、小提琴、大提琴和声乐共四大赛事,但在第一、第二轮比赛中,中国选手纷纷“落马”。上音教授俞丽拿从莫斯科打电话告诉记者,有35位选手到莫斯科参加小提琴项目的最后角逐。在激烈的竞争中,王之炅连闯三关,获得了第六名。继沈洋于6月中旬获英国卡迪夫国际声乐比赛金奖后,王之炅又在柴氏音乐比赛中夺奖,给正在举办纪念建院80周年的上海音乐学院献上了厚礼。

[此贴子已经被作者于2007-7-6 21:48:58编辑过]

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发表于 2007-7-6 21:52:00 | 显示全部楼层
2007-7/200776215057349.jpg

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发表于 2007-7-6 22:09:00 | 显示全部楼层

日本人,对很多中国人来说,包含着过去的民族仇恨和将来的民族忧虑,是个很敏感的问题。应该相互理解。

Mayuko Kamio 就是日本的青年小提琴家神尾真由子吧?下面网页上有她的照片。http://www.wretch.cc/blog/violon&article_id=3275357

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