抱歉，最近有些忙乱。
关于夹琴和肩垫，转一段文字，供您参考。这种“少见”的拉琴方法，在欧洲是司空见惯的。国内或许由于某些原因，貌似对此无视和不屑。有兴趣您上youtube看下。可以负责得说，国内有个别这样来的，水平也很高，但国内还没有这样的"市场“，包括中央院。
“……Until about 1820/30, the violin was by no means always held firm between chin and shoulder. It is only from about 1740 that one finds in many, but not all, French violin schools the indication that one schould lay the chin on the body of the violin, and then only when changing position backwards and, by implication, not as a rule. Geminiani, at the same time, certainly did not use the chin-rest. In his 1756 violin school, Leopold Mozart expresses himself very unclearly, but is obviously not indicating that the violin should always be firmly held under the chin; equally, however, Hiller is referring to Mozart in 1792 when touching the instrument with his chin all the time. As late as 1800 Cambini, an Italian in Paris, writes that there is only one good position among all of them, namely that in which the instrument lies on the shoulder and is held firmly by the left hand, while the chin can give support when finger positions are changed backwards.”
发表于 2012-10-13 13:09:00